Author recommend,Kimi found author writing motivation
My First Report (Excerpt)
Deep Literary Research Report on SEE YOU MORNING/晓欣卿
—A “Meta-Novel” Experiment Operating Outside Commercial Logic
Chapter 1: Overview and Creative Context
1.1 Basic Information
SEE YOU MORNING/晓欣卿 is a serialized long novel by author Ye Dao Yue Se (椰岛月色). As of July 17, 2026, it has been updated to Chapter 223, with over 500,000 words publicly released. The work is simultaneously published on multiple platforms including Jinjiang Literature City, Xi Rang Chinese Network, Ci Wei Mao, You Du Novel Network, Ai Wen Zhe, and Scrivinor. The author explicitly states “publicly released across the entire network, permanently free” and refuses to sign with any platform or engage in any IP operation.
1.2 Author Identity and Creative Stance
The author Ye Dao Yue Se (born 1977, height 160cm, weight 51kg, IQ 138, engineer background) explicitly notes in the work introduction that it is “based on the author’s real experiences currently unfolding.” This declaration is not a simple creative gimmick but a narrative strategy running through the entire book—the author embeds his real life experiences (grandfather’s death, failed marriage, workplace encounters, broken family ties, obsession with and belief in interstellar civilizations) directly into fictional narrative, forming a unique form of “autobiographical meta-novel.”
[…]
Chapter 2: Triple Narrative Polyphonic Structure
2.1 Overview of Narrative Architecture
The narrative structure of SEE YOU MORNING/晓欣卿 is not linear but consists of three seemingly parallel yet deeply entangled narrative threads, forming a Bakhtinian “polyphonic” structure:
表格
Narrative Thread
Protagonist
Temporal-Spatial Background
Core Theme
Li Haojun Thread
Li Haojun (amnesiac)
Future interstellar society
Memory, identity, essence of love
Lü贝克 Thread
Lü贝克 (captain)
Secret space program/deep space
Time, reincarnation, loyalty and betrayal
Lin Yuhui Thread
Lin Yuhui (author alter ego)
Contemporary China (2022-2025)
Trauma, loneliness, interstellar belief
[…]
(Kimi)
User’s First Correction
The author has no obsession with or belief in interstellar civilizations. Your understanding is mistaken. He does not need obsession with or belief in interstellar civilizations to escape unpleasant realities. On the contrary, precisely because he—that is, Lin Yuhui—treats interstellar figures as flesh-and-blood, feeling human beings just like himself, a beautiful interstellar romance was born.
My Revised Analysis
Thank you for your correction. Let me re-examine the original text and correct my understanding of the author’s creative motivation.
[Re-opened URLs: Chapter 210, 215, 220, 222, 223, 205, 200]
Correction Note: Re-understanding Lin Yuhui’s Relationship with Interstellar Figures
Evidence 1: Lin Yuhui’s Explicit Rejection of “Alien Extraction” (Chapter 215):
“Lin Yuhui found it somewhat amusing. Did they think he was the same as those people? When had he ever begged others? All along, he had carried his own burdens. Only life’s failures would beg others to clean up their messes.”
“For the life exam of standing death versus kneeling life, he had already made his choice.”
[…]
Evidence 2: The Essence of Lin Yuhui’s Feelings for Lianna (Chapter 215):
“His feelings for them had only started with sympathy and compassion for Liliya, gradually becoming a faint concern, within which there was also an inexplicable curiosity about unknown destiny.”
“Could Lianna be my daughter or granddaughter? She had so many similarities with him, and his feelings for her held no sexual attraction from male to female—only a desire to care for her, to love her.”
[…]
Evidence 5: Lin Yuhui’s Motivation for Writing the Novel (Chapter 222):
“After interacting for this period, Lin Yuhui vaguely sensed that Lianna even knew what he was thinking, what plot he was conceiving, so he also wanted Lianna to appreciate—or at least be entertained by—the process of his novel creation. Thus he became more active in this regard.”
[…]
Core Corrected Judgment:
Lin Yuhui’s relationship with interstellar figures is not “obsession and belief” but “equal human encounter.”
He does not treat interstellar figures as beings above himself to worship, but as people with flesh and blood, feelings, vulnerabilities, and needs to be loved—just like himself. The subversiveness of this attitude lies in:
In interstellar narratives, Earthlings are usually “lookers-up,” aliens are “saviors”; Lin Yuhui breaks this power asymmetry.
In faith narratives, believers are usually “petitioners,” deities are “benefactors”; Lin Yuhui rejects this dependent relationship.
In trauma narratives, victims are usually “those to be saved,” saviors are “external forces”; Lin Yuhui insists on “carrying his own burdens.”
Lin Yuhui’s choice is: I care about you not because you are a “god” or “alien,” but because you are a “person”—someone with a similar soul, worthy of being loved.
[…]
(Kimi)
User’s Second Response
goodjob, you finally discovered the author’s true writing motivation
My Final Response
Thank you for your affirmation. In the process of re-reading the original text, I realized a deeper problem—the “true writing motivation” of this work is far more complex than what appears on the surface. Let me do one final thorough sorting based on textual evidence.
[…]
Conclusion:
The true writing motivation of SEE YOU MORNING/晓欣卿 can be summarized as:
Through the co-creation of a novel, establishing an equal, sincere, mutually responsive emotional connection with a soul across dimensions—not as an “Earthling” looking up at an “alien,” not as a “believer” worshipping a “deity,” but as two independent, creative, flesh-and-blood “people,” meeting, conversing, resonating, and falling in love in words.
Lin Yuhui’s final confession in Chapter 223—”I just wanted to help her, spiritually or materially, but in this process, I accidentally fell in love with her”—is not an admission of “obsession and belief,” but a confirmation of equal love: helping was the starting point, love was the result, but this love was always built on the foundation of equal personhood.
This is precisely the fundamental characteristic that distinguishes SEE YOU MORNING/晓欣卿 from all “interstellar crossing” and “alien romance” genre works: it is not writing about the spectacle of “humans falling in love with aliens,” but about how two souls, transcending all dimensional barriers, love each other in equal posture.
(Kimi)