‘SEE YOU MORNING’ 154 Male Fidelity Female Chastity
A new day begins, and Lin Yuhui arrives at the office. These days, work is nothing more than going through the motions—mechanical, joyless, a dull routine he endures without care. He handles his tasks and shuts out everything else.
But this morning, as he steps into the lobby, he notices Cerise. She sits on a sofa in the corner, dressed in a long crimson velvet gown, her hair styled in golden curls, cheeks brushed with orange blush. She seems to be waiting for someone. Whatever the reason, she looks stunning today.
She usually dresses formally—clearly a proper woman. But Lin Yuhui can only blame himself now. Lesson learned: silence is golden for success.
Still, he cannot shake off those three dreams he had before taking this job. In the first, a vixen flaunted her beauty while a crowd of leering men followed. That figure already has a match in real life.
In the second dream, a blonde woman ran her tongue along the edge of a table, glancing sideways at him with a seductive look, as if asking for help—though she never said what she needed. In the dream, Lin Yuhui had laughed to himself; he would have helped her even without the seduction. Yet in waking life, she has never asked anything of him.
The third dream was even stranger—she requested an empty coffin, covered in red cloth. Baffling. In the dream, Lin Yuhui had seriously asked her, “Would a hollow wooden double bed do? We could cover it with a red quilt.”
Walking down the corridor, recalling these absurdities, Lin Yuhui smiles—the first genuine smile in days.
Entering the office, he finds Cerise has moved from the seat beside him to one directly across. Wherever she sits no longer matters. He has decided to erase her—from his heart, his eyes, his world.
Seated next to Lila, Cerise chatters away. But today, Lila is hobbling, her movements limited. She injured her knee dancing, wincing with every step. To Lin Yuhui, it is clear: Cerise has led this naive girl astray, indulging in luxuries far beyond their means—yoga, dance classes, pure intellectual tax. If Cerise has some business pretext for yoga, Lila’s dance lessons are just collateral damage.
Lila keeps murmuring about whether she should see a doctor. She spends thousands a month on dance, yet hesitates over medical fees.
Finally, Dylan puts it bluntly: “What did you expect? Dancers always get hurt.”
Cerise, who dragged Lila into this scene, stays silent. She won’t pay for her little follower’s mistake.
Lin Yuhui wants no part in their chatter, but he can’t stand by anymore. The girl doesn’t realize that every action in youth carries consequence, every choice exacts a price—and right now, she is running blindly.
He says nothing, only sends her a message:
“If you won’t go to the hospital, try Shenyang Red Medicine patches for bruises. Dylan and Stephanie mean well. The question is whether you’ll listen.”
It was a private message, yet Lila shows it to Cerise and Stephanie anyway. Lin Yuhui doesn’t understand such breaches of privacy. Stephanie just sighs—the helplessness of adulthood. Cerise says nothing. For Lin Yuhui, pulling Lila back from following Cerise’s reckless path is kindness enough. They were never close anyway.
Another dull day, another paycheck earned without expectation. After dinner, back in his room, he feels restless. That red dress from the morning lingers in his mind.
To distract himself, he browses the movies saved on his computer. All old, watched before. It has been years since Hollywood produced anything thoughtful—just violence and empty spectacle, hollow piles of garbage.
After scrolling, he picks a classic from long ago: Roman Holiday. A romance, presumably. Twenty years ago, Lin Yuhui bought the DVD. He must have watched it, yet remembers nothing of the plot.
Now he has a restored HD version. The film opens with Roman streets—alive with everyday life yet heavy with history. Women wore knee-length skirts; men courted without crude advances.
Princess Anne tours Europe, smiling and waving mechanically, meeting endless irrelevant people, dancing meaningless dances. A seventeen-year-old girl, forced into duties meant for someone thrice her age.
After a day of rigid routines, she glimpses something intriguing—an evening party for ordinary people. She has never seen life like this. But her wonder is cut short; she is ordered away from the window.
Before bed, she rehearses schedules and scripts—empty words about nothing she cares for. But youth cannot be caged. She rebels, is sedated—yet still escapes.
A young woman alone on the streets at night—a pure, innocent princess. Lin Yuhui doubts the realism, but accepts it as artistic license.
Joe Bradley—Lin Yuhui notes the name. A military enthusiast, he knows Bradley was a respected WWII general who valued his soldiers’ lives. The name Joe is common—like Joe Biden. Old Joe is tolerable; his son Hunter’s stories are far more colorful.
Joe brings the drugged princess home, but does not take advantage of her. He simply refuses to let such a fine woman fall into worse hands.
For plot’s sake, the dazed princess acts flirtatious under sedation—understandable, but Lin Yuhui is past the age for such coy games. He has always been clear-headed; this scene holds no thrill for him.
After a chaotic night, he wakes late for work. When Joe realizes the woman he took in is a princess, his journalist instincts kick in—he could interview her. But his editor’s offer reveals the truth: the princess’s scripted life is worthless—her only value is as royal decor.
Yet Joe devises an exclusive tell-all interview. His editor offers five thousand dollars—a fortune in post-war Europe, where ten dollars bought plenty.
What follows is the famous Roman holiday—a day touring the city.
When the small figure, burdened by duty yet having tasted freedom, returns to the palace to face interrogation, the wild princess talks back.
She has seen how life could be. She knows the sacrifice she made for duty—and chooses to uphold it.
In that single, full day of real living, she grows up. No longer a smiling, walking shell, but a vivid, flesh-and-blood person with a self.
Her final line—“If I were not aware of my duty to my family and my country, I would not have come back tonight”—is raw truth.
How much did she sacrifice, for family, for country? Who knows? A pure girl’s true vision of her future once lay within reach—and will never come again.
She could have eloped for love, consoling herself for life. She did not. She could have given herself to fate, apologizing for regret. She did not.
Man and woman, hearts aligned, yet never crossed the line. Integrity intact.
Today, rules are fewer, everything seems easier—but do people find truer love? Apparently not. Otherwise, this film would not be a classic. As the saying goes: precious things are rare. The blade is honed through grinding; plum blossoms bloom in bitter cold. Worth is weighed in the heart.
Joe, after a day with her, no longer sees a public figure, but a living person—innocent, beautiful, warm, sincere. How could he harm her?
Yet professional zeal drives him and his assistant to review their footage, basking in journalistic pride—until they remember who she is. Silence falls.
Two grown men tricked a girl into a story. Can they publish it?
Joe’s stance is clear: some money is not to be earned. Between heaven and earth, a man knows propriety and acts with honor. That is integrity.
At the press conference, the princess maintains her dignified image. But when she sees him among the crowd, she starts—shocked, worried, or surprised.
Then comes the iconic scene. Routine questions—the kind worth maybe two hundred bucks. Asked about the European Union solving economic problems, she gives the standard answer. Asked about future diplomacy, she begins with protocol—then speaks from her heart. Her eyes fix on Joe. You did not fail me.
As the press conference ends, she requests to meet the journalists. The princess has grown—a bud blossoming overnight. The viral moment: she shakes every hand just to hold his.
The assistant hands over the secretly taken photos. When it is Joe’s turn, her smile is no longer ceremonial. A quiet “So happy” lingers.
Back in her seat, she turns for one last look—eyes glistening with tears.
They nod. Part with a quiet “Take care.”
Long after the crowd disperses, Joe stands watching her go. Then he turns and walks away, his footsteps steady in the empty hall.
A man, a member of society, upholding both professional ethics and moral bottom lines. Jobless and penniless, Joe has never walked with such certainty.
Now, past forty, Lin Yuhui finally understands: Roman Holiday is no love story. It is about faith and honor in this world.